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The O’Zone | Black History Month: Soul Jazz a Clarion Call

Black History Month

Soul Jazz Marching by Andy O'

Marching into freedom

Four four time is marching forward

That’s where the walking bass came from

Signs saying I AM A MAN!

A loud proud statement

Let there be no doubt

Let them hear you shout

I AM A MAN!

Read the signs!

A musical heartbeat

The movement has a pulse

A mighty steady pulse

Keep that music bumpin’

Let them know where you stand

Mobilize on the American pavement in stolen land

Blacktop reality coming down 

With that walking bass

Turned around in blues

Funk invention

Freedom intention

Shout like a tenor saxophone

Hollar like a brass section

Hammond B3 and stratocaster broadcaster

Make a statement 

On the Black top pavement

Soul Jazz Marching

Funky in the heartbeat

The music calls 

Injustice falls

Fight back with your culture against the firehose walls

The neon flickers, a digital blue,

But the ghost of the horn is still breaking through.

Syncopated rhythms on the inner city street

Where the 808 pulse and the bebop meet.

They used to blow brass to shatter the wall

To make the long shadows of Jim Crow fall.

Now the sax is a scream, a jagged sharp line,

Drawn under the hashtags that shimmer and shine.

“Freedom!” cried Archie Shepp in a cascade of notes

While the people were marching for ballots and votes.

The soul takes the music into a heavy determined flood

And the names in the static, the tears and the blood.

The club is the livestream, the stage is the block,

Ostinato steady won't ever stop.

From the Schomberg Center archives to the Blue Note tonight,

Melody is still a demand for the light.

It’s the same old blues in a brand new key,

A soulful pursuit of what it means to be free.

The horn hasn’t changed

Just the air that it blows.

A long lonesome wind

That everyone knows.

Timeline 1955-1965: Soul Jazz & Civil Rights 

1955: The Preacher: Horace Silver…while not called “Soul Jazz”, this piece is often cited as the definitive birth of the idiom.

Emmet Till’s Murder…the brutal lynching of the 14-year-old and his mother’s decision to hold an open casket funeral. The imagery was documented and published by Jet magazine, exposing the horrors of this racist act to the world.

Montgomery Bus Boycott…December 1st, Rosa Parks was arrested for refusing to give up her seat. Launching a year long boycott led by a young Dr. Martin Luther King, Jr.        

1957 Little Rock Nine…President Eisenhower sent in Federal troops

to enforce school desegregation at Central High School in Little Rock, Arkansas.

The Civil Rights Act of 1957…first government legislation since

The Reconstruction Era.

Greensboro Sit-Ins…four college students protest at a segregated

Woolworth’s lunch counter ignited a wave of nonviolent sit-ins across the South.

1958: Jimmy Smith revolutionized the genre with the organ-driven grooves on his album Home Cookin’.

Lou Donaldson releases a cornerstone album, Blues Walk.

1960: Jimmy Smith releases Back at the Chicken Shack.

Hank Mobley releases Soul Station with a popular cut, Dig Dis.

Grant Green, the “Father of Groove Guitar,” releases his debut album with Blue Note First Session.

Civil Rights Act of 1960…which established federal inspection of registration polls & penalties for anyone obstructing the right to vote.

Freedom Rides: Student activists rode interstate buses into the segregated South to challenge non-compliance with the Supreme Court rulings.

1963: The Birmingham Campaign…Nonviolent protests faced Bull Conner’s brutal racist tactics (firehoses and dogs) exposed on national news helped galvanize an indifferent nation into action or attention.

The March on Washington, where 250,000 people witnessed MLK give his "I Have A Dream” speech.

Lee Morgan released The Sidewinder, an iconic crossover hit and the blueprint for the Soul Jazz Sound.

Kenny Burrell’s Midnight Blue features the definitive Soul Jazz cut “Chitlins Con Carne.”

1964: Lee Morgan’s “The Sidewinder” was released in December 1963 is a massive radio hit, establishing the boogaloo beat alongside the more traditional swing sound.

Horace Silver released Song for My Father.

Herbie Hancock has an iconic Soul Jazz hit “Cantaloupe Island,” from his album Empyrean Isles.

The Civil Rights Act of 1964 was passed and later upheld by the Supreme Court.

The Nobel Peace Prize was awarded to Dr. Martin Luther King Jr.

1965: Bloody Sunday: 600 peaceful marchers were attacked on the Edmund Pettis Bridge by Alabama State troopers.

Selma to Montgomery March: Led by Dr. King, 25,000 people successfully marched to the Alabama state capitol under federal protection. 

Lyndon B. Johnson signed the Voting Rights Act of 1965.

Ramsey Lewis Trio: “The 'In' Crowd!” Number 5 on the Billboard Hot 100. Practically unheard of for a jazz artist in the 1960s (and today).

Are you in? With the “In” Crowd?

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