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The O'Zone: Prepare Thyself to deal with a Miracle! The Bright Moments of the Eulipion!

Rahsaan Roland Kirk

The first song I ever played on KUVO JAZZ was Rahsaan Roland Kirk’s “Theme For the Eulipions.” It formed me as a journey agent and informed me as a radio host.

I realized that my poetry brain and my music brain were usable together, and so I became.

He didn’t use a cane 

  He didn’t have a seeing eye assistant

He didn’t embrace helplessness

  He didn’t call anyone else helpless   

Playing all that hardware 

  Without stopping for a breath

Heroic and super heroic

  Don’t make the spectacle the content

Don’t reduce it to a gimmick

  A circus act 

Juggling two handfuls of brass.

  WHILE BLIND!

We spoke about that.

  We are all miraculous

He was a little bit moreso

  There was confidence that comes with talent

Rahsaan remained humble,

  “I talk with the spirits”

He would say

   He stood up for others rights

Outspoken on treatment of the blind

  “Nobody wants to even think of blind people

As people

   When he had a stroke

He reconvened and learned to play without his left hand

  Had his tenor altered to play all the same notes

Single handed. 

My poem above is a true story. After suffering a stroke, he played his music with one hand. Betty Neals, the poet, wrote the spoken word piece featured on the track below to describe meeting Kirk at the airport while on a layover, playing his harmonica. They come from his album Return of the 5,000lb Man.

Presented below is more of my poetic interpretation of Rahsaan Roland Kirk’s gargantuan essence and influence.

He was born in the shadows

  Not sightless but not seeing

He was accustomed to light and dark

  The medicine took away the sight it was made to give.

Kirk lived in Flytown, Columbus

  Studied at the Ohio State School for the Blind.

“Sit him down over there!

   Like a dog”

   “My blindness is part of my identity”

   “I’m not handicapped I just don’t see too well”

Dream Religion somnambulist sacraments

  Call me Rahsaan…Rahsaan Roland Kirk

Dig the rhythm of the name

  Three words, six horns, hearing his way around.

Deal with the miracle!!!

Puzzled why they so hung up on sight

  But LOOK! He’s playing Three horns!

They thought he was blind, crazy and dangerous.

  And BLACK!

Rahsaan was dangerous

Subverting the perceptions

  Helpless, powerless, weakness

Circular breathing

  Circular breathing

Circular

  Breathing

Bright Moments in the Blacknuss

Rahsaan Roland Kirk was the history and future

  Black Classical Music

A dahshiki, a top hat, wrap around shades

  Manzello, stritch, C Melody and tenor sax

Flute and whistle and flute some more

“While most remember Rahsaan Roland Kirk for his musical prowess, I think his most important contribution to American music and African American culture is his vision.”  — Dr. Mark A. Lomax II

Vision over sight

  Lacking sight does not mean

Lacking vision

  Loving to laugh does not mean 

Loving derision

  He knew what he looked like

His appearance was his idea

  You never forgot him

If you came to watch him break up a chair

  You missed the genius with three horns

Speaking language with impressions

  What did you think of that?

He was a Eulipion

  A Journey Agent.

He was here to bring change

  Pay attention to the funny man

And you’ll miss the civil rights leader

Agents of change 

  Bringers of light

Eulipions bringing joy and comfort

  Comfort and Joy

A smile for a traveller 

  To ease the feel of the road on a weary shoulder

A song, a poem, a story

   The Duty free gift that gets you through a tough day

“When I die, I want them to play 

  The Black and Crazy Blues,

I want to be cremated, put in a bag of pot

  and I want beautiful people to smoke me

And hope they get something out of it.”

     — Rahsaan Roland Kirk

“Keep searching for your mystery note on the universal piano of life.” Rahsaan Roland Kirk

“His performance with Frank Zappa was one of the most exciting moments of my life. It was sensational.” — George Wein

“Kirk mortgaged his life in order to create the sounds that he heard in his head and felt in his soul.” — Steve Turre (band member)

“This man is what jazz is all about. He’s real!” — Charles Mingus

“I wish we could just stay on the bandstand, it’s so peaceful up there” — Rahsaan Roland Kirk

“ALL IT IS, IS A TONE. SO I’M GONNA COME BACK AS A NOTE…” — Rahsaan Roland Kirk

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